A shallow model suddenly dies in an accident only to find her soul resurfacing in the body of a brilliant, plus-sized attorney.

After surviving a fall from a plane 3000-feet over the ocean, a former CIA operative turned government contractor re-infiltrates a dangerous North Mexican drug trafficking ring to find his own killer. With his memory unraveling, he descends into a murderous rampage while trying to uncover the truth. Who threw him from the plane? Was it his best friend?

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

Alex Borstein presents a comedy concert.

A sitcom set in the offices of "GlobeLink News" after its acquisition by media mogul Sir Roysten Merchant. Led by editor George Dent, the staff of GlobeLink battle to maintain the company as a serious news organization against Sir Roysten's right-hand man, Gus Hedges, who wants to make the show more sensationalist and suppress stories that might harm Roysten's business empire.

This one-off show was commissioned as part of Channel 4's Cradle to the Grave season about the NHS. It was intended to raise awareness of health issues that can shorten life expectancy. In order to attract an audience that might not normally watch a serious health show, it was presented in game-show format with comedic elements, interspersed with statistics and expert contributions.

This one-off show was commissioned as part of Channel 4's Cradle to the Grave season about the NHS. It was intended to raise awareness of health issues that can shorten life expectancy. In order to attract an audience that might not normally watch a serious health show, it was presented in game-show format with comedic elements, interspersed with statistics and expert contributions.

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A fledgling pop star finds herself chained to the machine of a world tour she can't stop.

Diva is a fan letter to Diva Cat Thy, a Vietnamese transwoman, street food vendor, and performer, who openly shares her life and struggles daily on social media. Trying to bridge distances of both geography and language, the French director uses found footage posted online by Diva and her community to get in touch with her. He has never met her, cannot travel to Vietnam due to COVID-19 restrictions, and relies on his boyfriend, an Australian of Vietnamese origins, who helps translate the footage and acts as an intermediary. In a conversation constructed through subtitles and surtitles, the film not only reveals the filmmaker’s adoration for Diva, but also his and his partner’s process of understanding and making meaning of Diva’s life as well as their own in relation to it. Diva’s life, on the streets of Saigon as a transitory street food vendor, online as a social media celebrity, and on stage as a bingo singer and circus performer, is interwoven with the processes of looking at (or watching) her and of translation, as well as with a reflection about queer identity, distance, intimacy, and incoherent histories. Diva is a fleeting moment in a woman’s life, one that promises to reach out to a wider queer and solidarity community, blurring the spheres of the online and the real.